Provocative puppets: Adults-only show comes with warning

'puppet nudity'
Crispi Lord and Kristi Friday (back, left to right) and Jules Mercier present Flip Side's puppet burlesque show Bada Boom at The Refinery
Photograph by : Greg Pender, The StarPhoenix
Cam Fuller, The StarPhoenix
Published: Thursday, January 11, 2007
Scantily clad beauties Kitty Kitty Bang Bang and Nurse Peekaboo will be shakin' what their mommas gave them for the next two weekends at the Refinery. But it's not something you need to alert the vice squad about.
Kitty Kitty Bang Bang and Nurse Peekaboo are puppets, just two of many in Flip Side's new, original burlesque show Bada Boom.
"It's sort of the dark side of the Muppets,'' says Kristi Friday. Better known for their family shows, Friday and Crispi Lord are pushing the cloth-and-stuffing boundaries of what we expect from puppets with an adults-only production. As always, the characters are handmade. When Friday saw the anatomically correct characters Lord was fabricating, she was awestruck.
"Oh my God, I can't believe we're doing this,'' she recalls saying. "The dirty old man in us is coming out."
(Not surprisingly, the show comes with warnings for "puppet nudity and mature content").
Other than the puppet handlers who are sometimes visible, the only live actor in the show is Jules Mercier, a University of Saskatchewan drama student who was drafted for his music and acting skills. Friday and Lord discovered him in last summer's Fringe sensation, the clown show Blunderstruck.
"We really liked his performance, and Crispi was like 'Oh, my God he plays accordion. We've got to have accordion in this show.' "
Mercier plays music and interacts with the puppets as Stan (The Lucky Man) Bottom.
"It's just so funny. The accordion just kills me,'' says Friday.
The show is set in a nightclub, and there are some backstage moments. It consists of "lots of songs, sketches, some stripping, of course, and some dancing."
The idea grew after the puppeteers were asked to contribute a scene to the hit Regina show Caberlesque, which also played the Fringe last year.
They haven't been able to co-ordinate their schedule, but the request gave Friday and Lord the idea for a full-scale show of their own.
"We don't get an opportunity to do this sort of thing, especially with puppets,'' says Friday.
Far from being a lost art, burlesque is enjoying a revival. Last year, New York and Vancouver held their fourth and first burlesque festivals, respectively. (Winners in New York are awarded the "golden pastie.") And the million-selling musical group Pussycat Dolls, which started as a burlesque project, has had no trouble attracting attention.
"As naughty as it is and as raunchy as it can be, it also has a lot of humor and a lot of wit and I think that's appealing to a lot of people,'' says Friday.
Even before opening and without the benefit of word of mouth, interest in the show was growing.
"I think people are definitely intrigued. It's been a great, wide range of interest, too. We had a lady, she booked her tickets in October, so we were like, 'right on!' "
This is the same company behind the skipping rope comedy Double Dutch, so fans know they're in for fun without too many intellectual demands - a little spark of mirth in the dark of winter, says Friday.
"We know that people will have a great time.''

